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Various

"The Atlantic Monthly, Volume 03, No. 15, January, 1859"

Of what use were landscape-painting, if it did not teach us how to
look for beauty in the real landscape? Who has not seen in a good
portrait an expression which he then for the first time recognized as
that which best represented the character of the original? When we
applaud the personations of a great actor, we exclaim, as the highest
praise, "How true to Nature!" We must, therefore, have seen before the
look and gesture, and heard the tone, which we thus acknowledge as
appropriate to the passion and the scene. And yet they had never
stamped themselves upon our minds, when witnessed in actual life, from
which the actor himself had copied them, with half that force and
vividness which they receive from his delineation. In like manner, the
historian--one to whom history is a genuine vocation--applies to the
facts with which he has to deal, to the evidence which he has to sift,
to the relations which he has to peruse, a faculty which shall detect a
meaning where the common reader would find none,--which shall conceive
a whole picture, a complete view, where another would see but
fragments,--which shall combine and reproduce in one distinct and
living image the relics of a past age, which lie broken, scattered, and
buried beneath the mounds of time.


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