At Nara, where flourished the first six sects introduced
from Korea, were built vast monasteries, temples and images, and thence
the influence of civilisation and art radiated. From the first,
forgetting its primitive democracy and purely moral claims, Buddhism
lusted for power in the State. As early as A.D. 624, various grades were
assigned to the priesthood by the government.[14] The sects eagerly
sought and laid great stress upon imperial favor. To this day they
keenly enjoy the canonization of their great teachers by letters patent
from the Throne.
Ministers of Art.
On the establishment of the imperial capital, at Ki[=o]to, toward the
end of the eighth century, we find still further development and
enlargement of those latent artistic impulses with which the Heavenly
Father endowed his Japanese child. That capacity for beauty, both in
appreciation and expression, which in our day makes the land of dainty
decoration the resort of all those who would study oriental art in
unique fulness and decorative art in its only living school--a school
founded on the harmonious marriage of the people and the nature of the
country--is discernible from quite early ages. The people seem to have
responded gladly to the calls for gifts and labor.
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