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The Countess Valdu lived on the upper floor of a rococo palace near the
Piazza San Carlo; and here Odo, led by Cantapresto, presently found
himself shown into an apartment where several ladies and gentlemen sat
at cards. His mother, detaching herself from the group, embraced him
with unusual warmth, and the old Count, more painted and perfumed than
ever, hurried up with an obsequious greeting. Odo for the first time
found himself of consequence in the world; and as he was passed from
guest to guest, questioned about his journey, praised for his good
colour and stout looks, complimented on his high prospects, and
laughingly entreated not to forget his old friends when fortune should
advance him to the duchy, he began to feel himself a reigning potentate
already.
His mother, as he soon learned, had sunk into a life almost as dull and
restricted as that she had left Donnaz to escape. Count Valdu's position
at court was more ornamental than remunerative, the income from his
estates was growing annually smaller, and he was involved in costly
litigation over the sale of some entailed property. Such conditions were
little to the Countess's humour, and the society to which her narrow
means confined her offered few distractions to her vanity. The
frequenters of the house were chiefly poor relations and hangers-on of
the Count's, the parasites who in those days were glad to subsist on the
crumbs of the slenderest larder. Half-a-dozen hungry Countesses, their
lean admirers, a superannuated abate or two, and a flock of threadbare
ecclesiastics, made up Donna Laura's circle; and even her cicisbeo,
selected in family council under the direction of her confessor, was an
austere gentleman of middle age, who collected ancient coins and was
engaged in composing an essay on the Martellian verse.
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