Morton, as
he followed her into the room, underwent a rebuke for not "dighting his
shune," which showed that Ailie had not relinquished her habits of
authority. On entering the oak-parlour he could not but recollect the
feelings of solemn awe with which, when a boy, he had been affected at
his occasional and rare admission to an apartment which he then supposed
had not its equal save in the halls of princes. It may be readily
supposed that the worked-worsted chairs, with their short ebony legs and
long upright backs, had lost much of their influence over his mind; that
the large brass andirons seemed diminished in splendour; that the green
worsted tapestry appeared no masterpiece of the Arras loom; and that the
room looked, on the whole, dark, gloomy, and disconsolate. Yet there were
two objects, "The counterfeit presentment of two brothers," which,
dissimilar as those described by Hamlet, affected his mind with a variety
of sensations. One full-length portrait represented his father in
complete armour, with a countenance indicating his masculine and
determined character; and the other set forth his uncle, in velvet and
brocade, looking as if he were ashamed of his own finery, though entirely
indebted for it to the liberality of the painter.
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