It was all part of the music to which she listened, and she was almost
oblivious of the brilliant throng, the crowded boxes, or of the Duchess
of Snowdon sitting near her strangely still, now and again scanning the
beautiful face beside her with a reflective look. The Duchess loved the
girl--she was but a girl, after all--as she had never loved any of her
sex; it had come to be the last real interest of her life. To her eyes,
dimmed with much seeing, blurred by a garish kaleidoscope of fashionable
life, there had come a look which was like the ghost of a look she had,
how many decades ago.
Presently, as she saw Hylda's eyes withdraw from the stage, and look at
her with a strange, soft moisture and a new light in them, she laid her
fan confidently on her friend's knee, and said in her abrupt whimsical
voice: "You like it, my darling; your eyes are as big as saucers. You
look as if you'd been seeing things, not things on that silly stage, but
what Verdi felt when he wrote the piece, or something of more account
than that."
"Yes, I've been seeing things," Hylda answered with a smile which came
from a new-born purpose, the dream of an idealist. "I've been seeing
things that Verdi did not see, and of more account, too. . . .
Do you suppose the House is up yet?"
A strange look flashed into the Duchess's eyes, which had been watching
her with as much pity as interest. Hylda had not been near the House of
Commons this session, though she had read the reports with her usual
care.
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