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Ruskin, John, 1819-1900

"Stones of Venice [introductions]"

Whether this was intended by putting the planet in the boat,
may be questionable, but assuredly the idea was meant to be conveyed by
the dress of the figure. For all the draperies of the other figures on
this capital, as well as on the rest of the facade, are disposed in
severe but full folds, showing little of the forms beneath them; but the
moon's drapery _ripples_ down to her feet, so as exactly to suggest
the trembling of the moonlight on the waves. This beautiful idea is
highly characteristic of the thoughtfulness of the early sculptors: five
hundred men may be now found who could have cut the drapery, as such,
far better, for one who would have disposed its folds with this
intention. The inscription is:
"LUNE CANCER DOMU T. PBET IORBE SIGNORU."
SECTION XCIV. _Eighth side_. God creating Man. Represented as a
throned figure, with a glory round the head, laying his left hand on the
head of a naked youth, and sustaining him with his right hand. The
inscription puzzled me for a long time; but except the lost r and m of
"formavit," and a letter quite undefaced, but to me unintelligble,
before the word Eva, in the shape of a figure of 7, I have safely
ascertained the rest.
"DELIMO DSADA DECO STAFO * * AVIT7EVA.


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