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Ruskin, John, 1819-1900

"Stones of Venice [introductions]"


Either the inscriptions are now defaced or I have carelessly omitted to
note them.] and very coarse and bad, except only that in the sixth
side, which is totally different from all the rest, and looks like a
portrait. It is thin, thoughtful, and dignified; thoroughly fine in
every way. It wears a cap surmounted by two winged lions; and,
therefore, I think Selvatico must have inaccurately written the list
given in the note, for this head is certainly meant to express the
superiority of the Venetian character over that of other nations.
Nothing is more remarkable in all early sculpture, than its appreciation
of the signs of dignity of character in the features, and the way in
which it can exalt the principal figure in any subject by a few touches.
SECTION LXXXIV. SEVENTEENTH CAPITAL. This has been so destroyed by the
sea wind, which sweeps at this point of the arcade round the angle of
the palace, that its inscriptions are no longer legible, and great part
of its figures are gone. Selvatico states them as follows: Solomon, the
wise; Priscian, the grammarian; Aristotle, the logician; Tully, the
orator; Pythagoras, the philosopher; Archimedes, the mechanic; Orpheus,
the musician; Ptolemy, the astronomer.


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