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Ruskin, John, 1819-1900

"Stones of Venice [introductions]"

Two of
the heads of the brothers are seen in the Plate; the third figure is not
with the rest of the group, but set at a distance of about twelve feet,
on the other side of the arch which springs from the angle capital.
SECTION XL. It may be observed, as a farther evidence of the date of the
group, that, in the figures of all the three youths, the feet are
protected simply by a bandage arranged in crossed folds round the ankle
and lower part of the limb; a feature of dress which will be found in
nearly every piece of figure sculpture in Venice, from the year 1300 to
1380, and of which the traveller may see an example within three hundred
yards of this very group, in the bas-reliefs on the tomb of the Doge
Andrea Dandolo (in St. Mark's), who died in 1354.
SECTION XLI. The figures of Adam and Eve, sculptured on each side of the
Fig-tree angle, are more stiff than those of Noah and his sons, but are
better fitted for their architectural service; and the trunk of the
tree, with the angular body of the serpent writhed around it, is more
nobly treated as a terminal group of lines than that of the vine.
The Renaissance sculptor of the figures of the Judgment of Solomon has
very nearly copied the fig-tree from this angle, placing its trunk
between the executioner and the mother, who leans forward to stay his
hand.


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