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Ruskin, John, 1819-1900

"Stones of Venice [introductions]"


SECTION XVIII. But the palace was not long permitted to remain in this
finished form. Another terrific fire, commonly called the great fire,
burst out in 1574, and destroyed the inner fittings and all the precious
pictures of the Great Council Chamber, and of all the upper rooms on the
Sea Facade, and most of those on the Rio Facade, leaving the building a
mere shell, shaken and blasted by the flames. It was debated in the
Great Council whether the ruin should not be thrown down, and an
entirely new palace built in its stead. The opinions of all the leading
architects of Venice were taken, respecting the safety of the walls, or
the possibility of repairing them as they stood. These opinions, given
in writing, have been preserved, and published by the Abbe Cadorin, in
the work already so often referred to; and they form one of the most
important series of documents connected with the Ducal Palace.
I cannot help feeling some childish pleasure in the accidental
resemblance to my own name in that of the architect whose opinion was
first given in favor of the ancient fabric, Giovanni Rusconi. Others,
especially Palladio, wanted to pull down the old palace, and execute
designs of their own; but the best architects in Venice, and to his
immortal honor, chiefly Francesco Sansovino, energetically pleaded for
the Gothic pile, and prevailed.


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