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Ruskin, John, 1819-1900

"Stones of Venice [introductions]"


SECTION LXX. The third cupola, that over the altar, represents the
witness of the Old Testament to Christ; showing him enthroned in its
centre, and surrounded by the patriarchs and prophets. But this dome was
little seen by the people; [Footnote: It is also of inferior workmanship,
and perhaps later than the rest. Vide Lord Lindsay, vol. i, p. 124,
note.] their contemplation was intended to be chiefly drawn to that of
the centre of the church, and thus the mind of the worshipper was at once
fixed on the main groundwork and hope of Christianity,--"Christ is
risen," and "Christ shall come." If he had time to explore the minor
lateral chapels and cupolas, he could find in them the whole series of
New Testament history, the events of the Life of Christ, and the
Apostolic miracles in their order, and finally the scenery of the Book of
Revelation; [Footnote: The old mosaics from the Revelation have perished,
and have been replaced by miserable work of the seventeenth century.] but
if he only entered, as often the common people do to this hour, snatching
a few moments before beginning the labor of the day to offer up an
ejaculatory prayer, and advanced but from the main entrance as far as the
altar screen, all the splendor of the glittering nave and variegated
dome, if they smote upon his heart, as they might often, in strange
contrast with his reed cabin among the shallows of the lagoon, smote upon
it only that they might proclaim the two great messages--"Christ is
risen," and "Christ shall come.


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