Wherever he can, without
danger, leave a hollow behind his covering slabs, or use them, like
glass, to fill an aperture in the wall, he can, by piercing them with
holes, obtain points or spaces of intense blackness to contrast with the
light tracing of the rest of his design. And we may expect to find this
artifice used the more extensively, because, while it will be an
effective means of ornamentation on the exterior of the building, it
will be also the safest way of admitting light to the interior, still
totally excluding both rain and wind. And it will naturally follow that
the architect, thus familiarized with the effect of black and sudden
points of shadow, will often seek to carry the same principle into other
portions of his ornamentation, and by deep drill-holes, or perhaps
inlaid portions of black color, to refresh the eye where it may be
wearied by the lightness of the general handling.
SECTION XLII. Farther. Exactly in proportion to the degree in which the
force of sculpture is subdued, will be the importance attached to color
as a means of effect or constituent of beauty. I have above stated that
the incrusted style was the only one in which perfect or permanent color
decoration was _possible_.
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