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Ruskin, John, 1819-1900

"Stones of Venice [introductions]"


SECTION XI. Think for a little while of that scene, and the meaning of
all its small formalisms, mixed with its serene sublimity. Estimate its
secluded, continuous, drowsy felicities, and its evidence of the sense
and steady performance of such kind of duties as can be regulated by the
cathedral clock; and weigh the influence of those dark towers on all who
have passed through the lonely square at their feet for centuries, and
on all who have seen them rising far away over the wooded plain, or
catching on their square masses the last rays of the sunset, when the
city at their feet was indicated only by the mist at the bend of the
river. And then let us quickly recollect that we are in Venice, and land
at the extremity of the Calle Lunga San Moise, which may be considered
as there answering to the secluded street that led us to our English
cathedral gateway.
SECTION XII. We find ourselves in a paved alley, some seven feet wide
where it is widest, full of people, and resonant with cries of itinerant
salesmen,--a shriek in their beginning, and dying away into a kind of
brazen ringing, all the worse for its confinement between the high
houses of the passage along which we have to make our way.


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