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Ruskin, John, 1819-1900

"Stones of Venice [introductions]"

"
SECTION VIII. Of the main facts of this tale there is no doubt. They
were embellished afterwards, as usual, by many fanciful traditions; as,
for instance, that, when the sarcophagus was discovered, St. Mark
extended his hand out of it, with a gold ring on one of the fingers,
which he permitted a noble of the Dolfin family to remove; and a quaint
and delightful story was further invented of this ring, which I shall
not repeat here, as it is now as well known as any tale of the Arabian
Nights. But the fast and the discovery of the coffin, by whatever means
effected, are facts; and they are recorded in one of the best-preserved
mosaics of the north transept, executed very certainly not long after
the event had taken place, closely resembling in its treatment that of
the Bayeux tapestry, and showing, in a conventional manner, the interior
of the church, as it then was, filled by the people, first in prayer,
then in thanksgiving, the pillar standing open before them, and the
Doge, in the midst of them, distinguished by his crimson bonnet
embroidered with gold, but more unmistakably by the inscription "Dux"
over his head, as uniformly is the case in the Bayeux tapestry, and most
other pictorial works of the period.


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