The seat of the family is the renowned Eaton Hall, near Chester; that
stately mansion set in the centre of a country rich in pastoral
beauty. Its enlargement and beautification was begun by the second
Earl in 1802, and has been carried on by its present lord until it is
now the most magnificent of all the modern mansions of the nobility.
G.F. Watts's heroic equestrian statue of Hugh Lupus, the founder of
the family and a nephew of William the Conqueror, challenges
admiration as one enters the grounds. There is no great picture
gallery in the Hall, for that is at Grosvenor House in London, but the
family portraits are here. Let into panels of the dining-room are
portraits from the time of the first Earl, who was painted by
Gainsborough. The Viscount Belgrave and his lady were painted by
Pickersgill, in 1825,--this picture of the latter being much inferior
to Lawrence's,--while the present generation was painted almost wholly
by Millais,--that of Constance, the Duke's first wife, being
especially fine. Leslie, in 1833, executed a group of the Grosvenor
family.
Lawrence and Hoppner were to the regency what Reynolds, Gainsborough,
and Romney were to the early days of the reign of George III., as
painters of the patrician beauties. What a marvellous mass of records
of fair women these five have left us!--Reynolds, supreme in style,
painting the character as seen through the fair mask of the flesh;
Gainsborough, superbly picturesque, and a faithful limner withal;
Romney, impressively picturesque, too, a fine colorist, imaginative,
and but now, a century later, coming into his proper meed of praise;
Lawrence, elegant, charming,--a courtier indeed; Hoppner, through many
years a close rival of Lawrence.
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