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Stevenson, Robert Louis

"The Wrecker"


By the way, I hope you won't mind; I've got your
portrait all over San Francisco for the lecture,
enlarged from that carte de visite: "H. Loudon Dodd,
the Americo-Parisienne Sculptor." Here's a proof of the
small handbills; the posters are the same, only in red
and blue, and the letters fourteen by one."
I looked at the handbill, and my head turned. What was
the use of words? why seek to explain to Pinkerton the
knotted horrors of "Americo-Parisienne"? He took an
early occasion to point it out as "rather a good
phrase; gives the two sides at a glance: I wanted the
lecture written up to that." Even after we had reached
San Francisco, and at the actual physical shock of my
own effigy placarded on the streets I had broken forth
in petulant words, he never comprehended in the least
the ground of my aversion.
"If I had only known you disliked red lettering!" was
as high as he could rise. "You are perfectly right: a
clear-cut black is preferable, and shows a great deal
further. The only thing that pains me is the portrait:
I own I thought that a success.


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