This is my throne, bid Kings come worship it."
Such seems to be an appropriate legend for Raemaekers' beautiful
triptych which he has entitled "Our Lady of Antwerp." Full of compassion
and sympathy for all the sufferings of her people, she sits with the
Cathedral outlined behind her, her heart pierced with many agonies. On
the left is one of the many widows who have lost their all in this war.
On the right is a soldier stricken to death, who has done his utmost
service for his country and brings the record of his gallantry to the
feet of Our Lady of Antwerp.
Antwerp, as we know, was at the height of its prosperity in the
sixteenth century. We have been told that no fewer than five hundred
ships used to enter her port in the course of a day, while more than two
thousand could be seen lying in her harbour at one time. Her people
numbered as many as one million, her fairs attracted merchants from all
parts of Europe, and at least five hundred million guilders were put
into circulation every year. We know what followed. Its very prosperity
proved a bait to the conqueror. In 1576 the city was captured by the
Spaniards, who pillaged it for three days. Nine years later the Duke of
Parma conquered it, and about the time when Queen Elizabeth was
resisting the might of Spain Antwerp's glory had departed and its trade
was ruined. At the close of the Napoleonic wars the city was handed over
to the Belgians.
A place of many memories, whose geographical position was well
calculated to arouse the cupidity of the Germans, was bound to be
gallantly defended by the little nation to which it now belonged.
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