It
is a common modern vulgar shuffle, a thing of ugly gestures and violent
motions, the true sport of degenerates. Once begun there is no halting.
From East to West and from West to East the dancers move. There is no
rest, for Death is a pitiless comrade. From such a partner, lightly and
arrogantly summoned, there can be no parting. The traveller seeks a
goal, but the dancers move blindly and aimlessly among the points of the
compass. Death, when called to the dance, claims eternal possession.
JOHN BUCHAN.
[Illustration: THE GERMAN TANGO
"From East to West and West to East I dance with thee!"]
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THE ZEPPELIN TRIUMPH
When the future historian gives to another age his account of all that
is included in German "frightfulness," there is no feature upon which he
will dilate more emphatically than the extraordinary use made by the
enemy of their Zeppelin fleet. In the experience we have gained in the
last few months we discover that the Zeppelins are not employed--or, at
all events, not mainly employed--for military purposes, but in order to
shake the nerves of the non-combatant population. The history of the
last few Zeppelin raids in England is quite sufficient testimony to this
fact. London is bombarded, although it is an open city, and a large
amount of damage is done to buildings wholly unconnected with the
purposes of the war.
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